EA 00103 ANGKLUNG
This course focuses on skills required for knowledge acquisition on music theory and Angklung ensemble practices and performances. Emphasis is placed on techniques in instrumental skills and orchestral performance. This course incorporates on soft-skills enhancement in which student must actively participate in related social and community activities and programs.
References
Ismail Din. 1980. Muzik dan Bahan-bahan yang melahirkan bunyi, Gendang Gendut. Dewan Bahasa dan Pustaka, Kuala Lumpur
Tan Sooi Beng. 1984. Asas-asas Muzik. USM Pulau Pinang.
Mohd. Ghouse Nasaruddin, 1989. Muzik Melayu Tradisi. Kuala Lumpur: Dewan Bahasa dan Pustaka.
Perris, Arnold B. 1971. The Rebirth of the Javanese Angklung. Macmillan
Stanley Sadie, 1984. Angklung: The New Dictionary of Musical Instrument: London: Macmillan.
EA 00203 CHOIR
This course focuses on skills required for knowledge acquisition on music theory and vocal practices and performances. Emphasis is placed on techniques in vocal projections, vocal harmony and styles in choral singing specifically 4-part singing of SATB. This course incorporates on soft-skills enhancement in which student must actively participate in related social and community activities and program.
References
Charles, H. Moody. 2001. Choir in the Making. Manchester University Press.
Neale, Stephen, 1980. Conducting A Choir. Oxford University Press.
Altman, Rick, 1981. Genre: The Musical. Routledge & Kegan Paul Ltd.
Monograph
Kenneth W. Osbeck. Music Workbook. Berklee College of Music. Boston. USA.
Jabatan Penerangan/Penyiaran Malaysia. Lagu-Lagu Patriotik.
Larry Monrue Berklee College of Music. Music for Ear Training/Theory. Boston. USA.
EA 00303 KOMPANG ENSEMBLE
This course focuses on skills required for knowledge acquisition on music theory and Kompang ensemble’s practices and performances. Emphasis is placed on techniques in instrumental performances, performance tradition and styles specifically on traditional and ceremonial repertoires. This course incorporates on soft-skills enhancement in which student must actively participate in related social and community activities and programmes.
References
Asmad. (1990). Seni Lagu dan Permainan Tradisi. Melaka : Association Educational Distributers (M) Sdn. Bhd.
Aziz Deraman & Wan Ramli Wan Mohamad. (1994). Muzik dan Nyanyian Tradisi Melayu. Kuala Lumpur : Fajar Bakti.
Matusky, P. & Tan, S.B. (1997). Muzik Malaysia : Tradisi Klasik, Rakyat dan Sinkretik. Pulau Pinang : Asian Centre Penang & Akademi Seni Kebangsaan.
Nik Mustapha Nik Mohd. Salleh. (1998). Alat Muzik Tradisional Dalam Masyarakat Melayu . Kementerian Kebudayaan, Kesenian dan warisan Malaysia.
Shamsiah Sabaruddin, Surya Hafida Bahari & Zuzitah Abdul Samad. (1993). Kumpulan Kompang. Kuala Lumpur : Pustaka Bakti Wira.
EA 00403 THEATRE ACTING
The course is designed to expose the students in the art of acting especially for theatre performances and steps of acting preparation for actors. Student will be exposed to theories on acting introduced by world known theatre activists like Stainslavski, Grotowski, Artaud and Boal. The course will be divided into two categories; lectures and practical/studio works.
References
Alexander, F. Mattias.1997.The Ressuretion of the Body. Ed: Dell, New york.
Berry Cecily, 1973. The Voice and the Actor. Alyn Harrap, Lodon.
Brook, Peter.1968. The Empty Space. London Gibbon & Kee.
Cohen, Robert.1878. Acting Power. Palo Alto: Mayfield, CA
Cole, Toby and Helen K. Chiney.1953. Directing the Play. New York Hobbs,Merrill.
EA 00503 DRAWING AND PAINTING
The course is designed to enhance students’ creativities and abilities in problem solving. Students are able to express emotions freely through visual art. Students will be introduced to several principals and structural of design. The final product will be display for grading.
References
Hasel Harrison & Alferd Daniels. (1993). The complete printing course. Dorling Kindersly (UK).
Hazel Harrison. (1993). The basic of drawing the complete Art course. Dorling Kindersly
Jenny Roduell. (1989). Drawing. Great Britain.
Kathleen Chee. (1994). Teori Seni 1 & 2. Fokus Pelangi
Latif Muhidin. (1988). G.A.R.I.S. Dewan Bahasa Pustaka.
EA 00603 TRADISIONAL MUSIC
This course focuses on skills required for knowledge acquisition on music theory and Sabah Traditional Music practices and performances particularly of the Murut Gong Ensembles, Sompoton Ensembles and Kulintangan Ensembles. Emphasis is placed on techniques in instrumental performances, performance tradition and styles specifically on traditional and ethnic repertoires. This course incorporates on soft-skills enhancement in which student must actively participate in related social and community activities and program.
References
Curt Sachs. (1940). The History of Musical Instruments.I. JM Dent & Sons LTD.
Mohd Anis Md Nor. (1993). Zapin, Folk Dance of The Malay World. OUP, New York.
Mohd Ghouse Nasuruddin. (1992). Muzik Tradisional Melayu. Dewan Bahasa Pustaka.
Shafiee Ahmad & Sulaiman Zakaria. (1992). Kesenian di Malaysia. Buku Must Sdn. Bhd. Kuala Lumpur.
Hood, Mantle, 1971. The Ethnomusicologist. Kent State university Press.
EA 00703 MODERN MUSIC
This course focuses on skills required for knowledge acquisition on music theory and modern music practices and performances such as combo and pop orchestra. Emphasis is placed on techniques in music and score reading, instrumental performances and styles in ensemble practices from different genres of music e.g.: ballad, pop rock, light jazz. This course incorporates on soft-skills enhancement in which student must actively participate in related social and community activities and program.
References
Blades, J. 1992. Percussion Instruments and Their History. Westport, Connecticut: The Bold Strummer Ltd.
March, Mary , 1970. Explore and Discover Music. Macmillan Limited
Malm, W.P. 1979. Music In Malaysia. The World Of Music. Routledge & Kegan Paul Ltd
Laing, Dave, 1990. Listen to me, in On Record. Frith, Simon and Goodwind (eds). Routledge & Kegan Paul
EA 00803 CONTEMPORARY NASYID
This course focuses on skills required for knowledge acquisition on music theory and nasyid singing practices and performances. Emphasis is placed on techniques in vocal projections, vocal harmony and styles in Nasyid choral singing specifically on harmonization and solo styles. This course incorporates soft-skills enhancement in which student must actively participate in related social and community activities and programs.
References
Mohd Ghouse Nasuruddin. (1992). Muzik Tradisional Melayu. Dewan Bahasa Pustaka.
Shafiee Ahmad & Sulaiman Zakaria. (1992). Kesenian di Malaysia. Buku Must Sdn. Bhd. Kuala Lumpur.
Adjie Esa Poetra, 2204. Revolusi Nasyid. MQS Publishing, Jakarta.
EA 00903 TRADITIONAL NASYID
This course focuses on skills required for knowledge acquisition on theory and philosophy of music and nasyid singing practices and performances. Emphasis is placed on techniques in vocal projections, vocal harmony and styles in nasyid choral singing specifically on harmonization and solo styles. This course incorporates soft-skills enhancement in which student must actively participate in related social and community activities and programs.
References
Aziz Deraman & Wan Ramli Wan Mohamad. (1994). Muzik dan Nyanyian Tradisi Melayu. Kuala Lumpur : Fajar Bakti.
Adjie Esa Poetra, 2204. Revolusi Nasyid. MQS Publishing, Jakarta.
Mohd. Ghouse Nasaruddin. (1992). The Malay Traditional Music. Kuala Lumpur : Dewan Bahasa Dan Pustaka.
Shafiee Ahmad & Sulaiman Zakaria. (1992). Kesenian di Malaysia. Kuala Lumpur : Buku Must Sdn. Bhd.
EA 01003 INTRODUCTION TO SCREENPLAY
The course is designed to help students to understand the techiques of using camera or ”camera mannerism” . Students are also introduced on ways to act infront of a camera, ways to deliver their lines and improvisation. Students will be able to experienced in conducting a fieldtrip to several studios available around Kota Kinabalu.
References
Eric Morris, 1998. Acting , imaging and the Unconscious. Ermor Enterprise. Los Angeles, USA.
John Miles Brown.1994. Directing Drama. Peter Owen Limited, USA.
Linda Villiams.1995. Viewing Position-Ways of seeing Film. Rutgers University Press, New Jersey, USA.
Steven D. Kats.1991. Film Directing – Shot by shot: Visualizing from Concept to Screen. Michael Wiese Production, USA.
William Miller.1998. Screenwriting for film and Television. Allyn and Bacon, USA.
EA 01103 SCRIPT WRITING FOR DRAMAS
The course exposes students to ways of designing and writing a stage play. Students will undergo processes to prepare oneself before and during the process of writing. A brief discussion on drama and theatre will be included. This will help students to have a clear understanding about theatre and drama before writing a play. The course will also concentrate on ways to enrich a script with all the artistic elements based on six elements introduced by Aristotle. At the end of semester, students will be able to write script and produce a play.
References
Armer, Alan A. 1993. Writing the Screenplay: TV and film. Wadsworth Publishing Company Belmont, California.
Bently, Eric.1967. The Playwright as Thinker. New York: Atheneum.
Field Syd. (Terj) 1990. Lakon Layar: Asas Penulisan Skrip. Dewan Bahasa dan Pustaka, Kuala Lumpur.
Hatcher, Jeffrey.1996. The Art & Craft of Playwriting. Story Press, Cincinnati, Ohio USA.
Jeffrey Sweet.2001. Solving your Script: Tools and Techniques for the Playwright. Heineman Publishing.
EA 01203 GAMELAN ENSEMBLE
This course focuses on skills required for knowledge acquisition on music theory and Gamelan ensemble practices and performances. Emphasis is placed on techniques in instrumental skills on traditional and contemporary repertoires. This course incorporates on soft-skills enhancement in which student must actively participate in related social and community activities and program.
References
Harun Mat Piah. (1985). Bengkel Gamelan Malaysia. Terbitan Universiti Kebangsaan Malaysia.
Harun Mat Piah. (1983). Gamelan Malaysia. Kementerian Kebudayaan, Belia dan Sukan dengan kerjasama IBKKM.
Mohd. Ghouse Nasharuddin. (1985). Muzik Melayu Tradisional. Dewan Bahasa Pusataka, Kuala Lumpur.
Siti Zainon Ismail. (1988). Lambang Sri. Penerbitan Universiti Kebangsaan Malaysia.
EA 01303 SCULPTURE
This course focuses on skills required for knowledge acquisition on sculpture. Emphasis is place on techniques of sculpturing. This course incorporate on soft skills enhancement in which student must actively participate in related social and community activities and programme.
References
Abdul Halim Nasir, (1986). Ukiran Kayu Melayu Tradisi. Kuala Lumpur: DBP.
Itten, J. (1977) Design and Form. New York: Van Nostrad Reinhold Co.
Penny, N. (1993). The Materials of Sculpture. London: Yale University Press.
Schodek, D.L. (1993). Structure in Sculpture. London: The MIT Press.
Siti Zainon Ismail. (1986). Rekabentuk Kraftangan Melayu Tradisi. Kuala Lumpur: DBP.
EA 01403 BATIK PAINTING
This course focuses on skill and knowledge acquisition on batik design. Emphasis is place on techniques of designing a batik. This course incorporate on soft skills enhancement in which student must actively participate in related social and community activities and programme.
References
Abdullah Jumain Abu Samah. (1982). Batik: Sejarah, Teknik dan Keistimewaannya. Universiti Kebangsaan Malaysia.
Griffin, Heather and Margaret Hone. (1990). Introduction to Batik. North Light Books : Cincinnati, OH.
Jenny Podueel. (1989). Drawing. Gfed Britain.
Kafla, J.F. (1959). Batik Tie Dyeing Stencilling, Silkscreen, Block Printing, The Hand Decoration of Fabric. New York : Dover Publishing Inc.
Rathus, L.F. (1995). Understanding Art (4th ed.). New Jersey : Prentice-Hall.
EA 01503 COURT DANCE
This course focuses on skills required for knowledge acquisition on dance. Emphasis is place on techniques of dancing and movement. This course incorporate on soft skills enhancement in which student must actively participate in related social and community activities and programme.
References
Asmad. 1990. Kesenian Tari. Associted distributors (M) sdn. Bhd. Melaka.
Mohd Ghouse Nasaruddin, (1994). Tarian Melayu Kuala Lumpur. Dewan Bahasa dan Pustaka.
Siti Zainon Ismail. (1986). Lambang Sari: Tari Gamelan Terengganu. Dewan Bahasa dan Pustaka
Monograph
Zainal Abidin Tinggal. (1998). The Dances of Asean. Asean Committee on Culture and Information.
KKBS. 1981. Tarian-tarian Malaysia. KKBS, Kuala Lumpur.
EA 01603 FOLK DANCE
This course focuses on skills required for knowledge acquisition on dance. Emphasis is place on techniques of dancing and movement. This course incorporate on soft skills enhancement in which student must actively participate in related social and community activities and programme.
References
Asmad. (1990). Kesenian Tari. Associated Distributor (M) Sdn. Bhd., Melaka.
Harun Mat Piah & Siti Zainon Ismail. (1986). Lambang Sari: Tari Gamelan Terengganu.. Dewan Bahasa dan Pustaka.
Mohd Ghouse Nasaruddin. (1994). Tarian Melayu. Dewan Bahasa dan Pustaka, Kuala Lumpur.
T. Japi. (1981). Dasar-dasar Dramatari. CV Pustaka Prima, Bandung.
Monograph
Kementerian Kebudayaan Belia dan Sukan. (1981). Tarian-tarian Malaysia.
EA 01703 SABAH DANCE
This course focuses on skills required for knowledge acquisition on dance. Emphasis is place on techniques of dancing and movement. This course incorporate on soft skills enhancement in which student must actively participate in related social and community activities and programme.
References
Asmad. (1990). Kesenian Tari. Associated Distributors (M) Sdn. Bhd. Melaka.
Haji Ismaily Hj. Bungsu. (1995). Warna Budaya. KKBS(N), Sabah, Malaysia.
Ismail A, & Charles Saong. (1984). Tarian-tarian Tradisional Negeri Sabah. KKBS.
Monograph & Journal
Johan Aziz. Tarian Peribumi Sabah 1980-1982
KKBS. (1981). Tarian-tarian Malaysia. KKBS, Kuala Lumpur.
EA 01803 CALIGRAPHY
This course focuses on skills required for knowledge acquisition on Islamic khat (chaligraphy). Emphasis is place on techniques of writing an Islamic khat in a creative way. This course incorporate on soft skills enhancement in which student must actively participate in related social and community activities and programme.
References
Abdul Halim Nasir. (1987). Tradisional Malay Wood Carving. Dewan Bahasa dan Pustaka, Kuala Lumpur.
D. Sirajuddin Ar. (1985). Seni Kaligrafi Islam. Jakarta : Pustaka Panjimas.
Hashim Muhammad Al-Khattat. (1986). Qawaid al-Khat al-Arabi. Beirut : Maktabah al-Nahdah al-Arabiyah.
Mahayudin Hj. Yahaya. (1999). Tamadun Islam. Kuala Lumpur : Fajar Bakti.
Muhammad Haddad. (1943). Majmu’ah Khutut Arabiyah Tasykiliyah. Al-Qahirah : Dar Mesr Li al-Tiba’ah.
EA 01903 STAGE DESIGN TECHNIQUES
This course focuses on skills required for knowledge acquisition on stage design. Emphasis is place on techniques of designing a set for stage performances. This course incorporate on soft skills enhancement in which student must actively participate in related social and community activities and programme.
References
Bablet, Denis.1977. The Revolution of Stage in the Twentieth Century. New York: Leon & Amiel.
Bay, Howard 1978. Stage Design. New York: Drama Book.
Burris – Meyer, Harold and Edward C. 1972. Scenery for the theatre: Little Brown.
J. Micheal Gillette. 1997. Designing with light: An Introduction to Stage Lighting.
Mary C. Henderson, Frank Rich. 2001. Mielziner: Master of Modern Stage Design. New York
EA 02003 BAMBOO INSTRUMENT MAKING
This course focuses on skills required for knowledge acquisition in Bamboo Instrument Making practices and performances. Emphasis is placed on making techniques, method in instrumental skills, orchestral performance and teaching. This course incorporates on soft-skills enhancement in which student must actively participate in related social and community activities and programs.
References
Rault, Lucie. (2000). Musical Instruments: A Worldwide Survey Of Traditional Music-Making. Thames & Hudson Ltd. Uk
Wade-Matthews, Max., Thompson, Wendy. (2004). The Encyclopedia Of Music: Musical Instruments And The Art Of Music-Making.
Shepard, Mark. (2001). Simple Flutes: A Guide To Flute Making And Playing, Or How To Make And Play Great Homemade Musical Instruments For Children And All Ages From Bamboo, Wood, Clay, Metal, Pvc Plastic, Or Anything Else. Shepard Publications
Robinson, Trevor. (1981). The Amateur Wind Instrument Maker. University Of Massachusetts Press. Us.
Hopkin, Bart. & Scoville, John. (1996). Musical Instrument Design: Practical Information For Instrument Design. See Sharp Press. Us
